Howard Shore The Lord of the Rings The Fellowship of the Ring OST CD FLAC 2001 FORSAKEN

FORSAKEN Proudly Presents

Artist: Howard Shore
Album: The Lord of the Rings: The Fellowship of the Ring
Label: Warner Bros
Genre: Soundtrack
Source: CD
Street Date: 2001-11-20
Quality: 663 kbps / 44.1kHz / 2 channels
Encoder: FLAC 1.2.1
Size: 357.90 MB
Time: 71:20 min
The_Lord_of_the_Ring
s:_The_Fellowship_of_the_Ring_(Soundtrack)
1. The Prophecy 3:55
2. Concerning Hobbits 2:55
3. The Shadow of the Past 3:32
4. The Treason of Isengard 4:00
5. The Black Rider 2:48
6. At The Sign of the Prancing Pony 3:14
7. A Knife in the Dark 3:34
8. Flight to the Ford 4:14
9. Many Meetings 3:05
10. The Council of Elrond ("Aniron, Theme for Aragorn and Arwen" 3:49
(feat. Enya)
11. The Ring Goes South 2:03
12. A Journey in the Dark 4:20
13. The Bridge of Khazad Dum 5:57
14. Lothlorien (Lament for Gandalf) (feat. Elizabeth Fraser) 4:33
15. The Great River 2:42
16. Amon Hen 5:02
17. The Breaking of the Fellowship (In Dreams) (feat. Edward 7:20
Ross)
18. May it Be (feat. Enya) 4:17

Appropriately enough for the film adaptation of one fantasy
literature's most enduring favorites, Howard Shore's score for
Peter Jackson's Lord of the Rings is traditional and majestic
using sweeping strings, brass, and choral sections to create
moments of fire-and-brimstone menace as well heroic triumph. An
ominous, bombastic feel runs through much of the score
particularly on pieces like "A Journey in the Dark," "Flight to
the Ford," and "A Knife in the Dark," but Shore also includes
respites such as the sweetly elfin, Celtic-tinged "Concerning
Hobbits" and the stately "Many Meetings." The vibrant "Bridge of
Khazad Dum" and "Amon Hen" combine the score's major themes into
dazzling climaxes, while Enya's contributions, "Council of
Elrond" and "May It Be," add a subtle serenity that gives the
score balance. While it's not a particularly melodic score, Lord
of the Rings nevertheless does an excellent job of conveying the
film's moods through music and has more than enough presence to
be appreciated outside of the film's context